I wonder if they moved her head, or just altogether replaced it with someone else's?
“We still love the stamp design and would have selected this photograph anyway,” said Roy Betts, a spokesman (for the USPS). Mr. Betts did say, however, that the post office regrets the error and is “re-examining our processes to prevent this situation from happening in the future.”
The service selected the image from a photography service, and issued rolls of the stamp bearing the image in December. This month, it issued a sheet of 18 Lady Liberty and flag stamps. Information accompanying the original release of the stamp included a bit of history on the real Statue of Liberty. Las Vegas was never mentioned. The whole mess was exposed by the stamp magazine, which this week ran photographs of both statues.
To the average tourist, there are obvious differences. The Las Vegas statue is half the size of the real Statue of Liberty. And of course, they are in different cities. But it takes a real student of Lady Liberty to notice the contrasts in a stamp-size photo of her head. The hair is different. The replica’s eyes are much more sharply defined. A rectangular patch — a plaque, maybe? — is on the replica’s center spike.
Surprised by the call-out, Lee defended herself by saying that the songs were downloaded legally and paid for. But unfortunately for her that doesn't mean much. As the National Business Review points out, when a friend makes a copy of songs that were legally bought, the recipient of the 'gift' is still guilty of copyright infringement.
So it appears that Lee got her first strike already, and since the burden of proof is on the alleged infringer under the new legislation, it's up to her to prove that she's innocent. That's only fair, right?
Although it's easy to call Lee's mistake out as hypocrisy, it might be even worse than that. What if she truly believes that copying a legally bought song for a friend is okay? That would mean that even legislators who vote on copyright legislation don't fully grasp what they're doing.
Underwater color photography was born with this shot of a hogfish, photographed off the Florida Keys in the Gulf of Mexico by Dr. William Longley and National Geographic staff photographer Charles Martin in 1926. Equipped with cameras encased in waterproof housing and pounds of highly explosive magnesium flash powder for underwater illumination, the pair pioneered underwater photography.